I get this question a lot from my film students: what more can I do to learn about filmmaking and the industry?
The answer is multi-fold:
Watch as many films or TV shows as you can. From indies to blockbusters, foreign films, in a theater, streaming, it doesn’t matter. The more content you watch, the more you’ll learn about storytelling and filmmaking techniques. (Although, I’m not a fan of phone viewing; all you get is the story and not the incredible cinematics.)
This seems pretty obvious, right? You’ll be amazed at the number of students I’ve encountered who don’t see anything. The reasons why are always the same: any extra time is spent texting, on social media channels or watching YouTube. I admit to falling into a YouTube cyberhole (Dr. Pimple Popper, stop feeding our popaholic addiction!) but I can pull myself out. For some, it’s practically impossible. Which leads me to …
Prioritize your viewing. If you want to be a director, cinematographer, editor or production designer, watch all the films made by your favorites and analyze them. Go the extra mile: listen to their DVD commentary, read interviews and film criticism. You love Christopher Nolan or Gordon Willis? Dive into their oeuvre—it’s the best kind of personal film school.
The same goes for being a writer, producer, documentarian. Immerse yourself and become that annoying film nerd … and I say this with the utmost affection.
Also, for aspiring writers… not only should you watch movies written by your fave screen and tv writers, read the scripts. It’s easy to get caught up in the visuals of a movie, so reading helps isolate the written storytelling and structure. Scripts are available online. For free! (Read about the 2021 award season screenplays too.)
Read the tradesto find out what producers, directors, actors, and studios are doing what, what’s in development, what are the hot spec screenplay sales, ratings, studio wars, intrigue and more—this info is all there for the gleaning: THR, Variety, Deadline, Cynopsis, TV By the Numbers, to name a few.
Listen to The Businesson KCRW, hosted by Kim Masters, editor-at-large of the Hollywood Reporter, the weekly program covers an industry report then follows with interviews of mainstream to indie talent about their current projects. There are lots of insights to be had here. Previous shows are archived.
Listen to The Treatment, also on KCRW, hosted by film critic Elvis Mitchell. In his weekly show, he interviews innovative talent from the entertainment industry. He’s such a film champion that he can always find something informative and positive to say about any movie. I may not agree with his tastes but I always get something out of his perspective.
Practice, practice, practice.Write and shoot. Technology has made it so easy to shoot and edit anything, and it’s cheaper than ever. And there’s really no excuse not to.
2016 has turned out to be a year of achievement for my father, Paulino Lim Jr. As a critically-acclaimed writer and professor of English literature, recently he was one of the twenty-three honored with the 2016 Presidential Award for Filipino Individuals and Organizations Overseas—for his fiction and scholarly essays that are constructive criticisms of the political, social and religious problems in the Philippines.
And in March, he was honored with a lifetime achievement award for his significant contributions to Philippine literature from his alma mater University of Santa Tomas—the Parangal Hagbong Award for the 31st Gawad Ustetika (the longest running literary competition), is given by the Varsitarian, the official student publication. When in college, he was a reporter and associate editor, and wrote many short stories for the newspaper.
Is it any surprise that I’m always citing my father as a role model? Even at 81 years old, he’s still writing, still creating and still inspired to look at the world and critically examine its beauty and its horrors.
Congratulations, Dad! We are so very proud of you!
It’s the end of the year! Which means good news for movie lovers. The superhero franchises and blockbusters are mostly on hold until next spring and summer, and the studios are now trotting out their “serious” fare for award consideration. Don’t get me wrong I love a great actioneer but lately, well … I’ll save those thoughts for another time. I want to talk about two movies that will harsh the holiday high right out of you. And I mean this in the best possible way.
Manchester by the Sea
Written and directed by Kenneth Lonergan, the story is about painful, harrowing loss. Casey Affleck brilliantly plays a Boston janitor who must return to his hometown because of a death in the family. This movie is a slow burn as it builds on the backstory and journey of Affleck’s character. There’s not a false note in this movie as it offers a slice-of-life of experience that combines pathos and levity and makes us reflect on what we hold dear in own lives.
Written and directed by Tom Ford, Nocturnal Animals takes on more complex storytelling than his debut film A Single Man. But like the latter and lucky for us, his fastidious attention detail continues to reign supreme. Starring Amy Adams as a depressed art dealer named Susan, she reads her ex-husband’s (Jake Gyllenhaal) novel, which then enfolds as a story-within-a story, and haunts her throughout the movie. While Susan’s storyline is a campy, grotesque send-up of the art world, shades of Pedro’s Almodovar’s sensibility, and a meditation on life choices, the depiction of the novel is a suspenseful, disturbing thriller fraught with pain. Yes, more pain! I know, not exactly a sunny rec, but this is a challenging film that delves into the dark parts of the soul. Which in my opinion, is always worth exploring.
If you’re up for countering some of the holiday cheer, these are the movies for you.